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Tick

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In my grandparents’ shop in the Soviet Socialist Republic of South Yorkshire, debt wasn’t so much a matter of money as a sort of permanent fixture — like the weighing scales or the flypaper. Nobody thought of it as debt. It was just “tick,” and everybody had some. The shop was the beating heart of the village, and part of that was letting people have things on trust until Friday. Mrs Whittaker, say, popping in for her twenty Park Drive, would be told by my mother — or my grandmother, depending on whose turn it was — “Oh, and there’s six and seven on your slate.” If Mrs Whittaker paid up, fine. If she didn’t, my mother would sigh in the manner of someone taking on an additional personal bereavement and say, “All right, love. But I will be putting your name in the window.” I never recall her actually doing it, though the possibility was enough to keep the village in a state of mild moral vigilance. In a mining community where everybody knew everybody’s business — and some of their unde...

On the Importance of Accounting for Oneself

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When I left the Soviet Socialist Republic of South Yorkshire at eighteen — tender, earnest and armed with a suitcase full of ambition and socks — I went to Manchester to study drama. Three years of Chekhov, Gorky, tragedy, comedy, and the occasional play that wasn’t an act of national endurance. I thought I was embarking on a life of art. I didn’t realise I was also embarking on a life of accounts. Yet here I am, decades later, still keeping ledgers. Not metaphorical ones — actual, black-and-red, hard-backed ledgers. Bought annually, with all the quiet ceremony of a religious observance, from the sort of stationer that also sells brown string and those pens you have to lick. We had a marvellous tutor at drama school called John McGregor — an actor who’d once played Cornwall in Lear and had the receipts to prove it. He taught us on Friday mornings, not about Ibsen or inner truth, but about the tax-deductible nature of fake beards. It was John who first explained that keeping track of ...

British Airways: A Masterclass in Mediocrity

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We’ve just returned from holiday. And if you asked whether I’d go away again tomorrow, I’d say yes—not for sun or sea or spiritual replenishment, but because I’d need another holiday to recover from the one just gone. Not the destination. Madeira was, in a word, sublime. Mountains above clouds, sunsets like oil paintings, a sort of dignified warmth that didn’t singe the scalp. Even the famous wicker toboggan ride—lunacy in a linen hat—was delightful. No, the trouble wasn’t the island. It was the journey. And by “the journey,” I mean British Airways. Though if we’re being honest, British Airways has become more of a concept than a company—a sort of floating rumour of service with the occasional aircraft attached. We stayed overnight at Gatwick. Business class—our little indulgence. Not for the champagne, but in the faint hope someone might actually answer a question. At 6.25pm we arrived, to find a queue that could only be described as biblical. If Moses had parted these people, he’d...

We're All Going On A Summer Holiday

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It’s that time again: the holiday. Or a holiday, I should say. I hesitate to make it sound more momentous than it is. Holidays for me have never been great set-piece events, carefully rationed out in annual quotas, as they are for most respectable people. I’ve always taken the view that if an opportunity for a few days away presents itself, it should be grabbed — like a reduced pork pie on a supermarket counter. That said, my partner Brayden has a proper job. You know, emails, policies, and somebody called Deborah in HR who approves his holiday requests. So we can’t just swan off as and when. We have to pick our moment, like a vicar choosing his text. This year, aside from a quick week in New York which barely counts — more an exercise in walking and ordering coffee wrong — we’ve not been away. So we’re off next Saturday. Madeira. Now, Madeira — if I’m being honest — has always existed for me primarily as a punchline in Up Pompeii — that wonderful seventies sitcom where Frankie Hower...

Fear No More the Heat of the Sun

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Fear No More the Heat of the Sun (Cymbeline Act IV sc2) Living on a boat, as we do, you become rather more aware of the weather than your average house-dweller. They check an app and think “Showers. I’ll wear my cagoule.” We, meanwhile, live it. We hear it. We occasionally have to mop it up with an old towel and a resigned expression. In winter, we go full cosy. There’s the reliable hum of central heating, the cheer of a decent wood-burner, and the comforting percussion of rain on a cambered roof. It’s like living inside one of those nostalgic Channel 5 Christmas films—only without the snow budget or the Canadian actors pretending to be British. There’s a smugness in being warm when the world outside looks like a scene from Chernobyl: The Musical. But come spring, we begin to crave the change. A proper sunny day—deck doors open, light pouring in, shirtsleeves and sunglasses at 6pm—feels like reward for good behaviour. Recently, we’ve had a string of such days. The kind of late s...

To Read to Sleep

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I’ve always read in bed. Always. For as long as I can remember, really—since before the age when memories begin to settle into things you could recount. It’s never felt like a habit. More like an instinct. A deeply ingrained, highly enjoyable ritual, as natural as brushing your teeth, only infinitely more rewarding. In the little back bedroom of my parents’ house—next to their shops in the Soviet Socialist Republic of South Yorkshire—my first lamp stood on a marble-topped wash-hand stand. The only other furniture was my bed and a chest of drawers that looked like it had given up trying. The lamp itself was a silver lady, balancing on one leg, arm raised to the heavens, in the manner of the Rolls-Royce Spirit of Ecstasy, only this one had a perforated purple lampshade and an air of resignation. It was by her light that I discovered my first loves: Enid Blyton, the Fife-Finder Outers, the Seven Seeker Uppers, and Alfred Hitchcock Investigates—anything in a series. I was mad for a serie...

Finding Lomax (Or, Love in the Sainsbury’s Car Park)

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For the second time in my life, I have bought a new car. I say that with the kind of pride usually reserved for first-time parents or those who manage to grow tomatoes in hanging baskets. Most of my twenties were spent driving my dad’s cast-offs — including a white Ford Escort estate, which felt less like a car and more like a penance. I ask you: a white Ford Escort estate. It was less “motor vehicle” and more “mobile filing cabinet.” Then came a series of small, second-hand affairs: a green 2CV that got me through a year in Stratford — though the first time I pressed the accelerator, it went through the floor like a cartoon. That was followed by a bright orange Mini called Sebastian who gamely carried me through late-night rehearsals and even later-night chips in Soho. After Sebastian, there was Tristram Polo — a tank by comparison. Tristram was the scene of a minor disagreement with the law over the alcohol content of a bottle of Pinot Grigio. He was sold off quietly and cheaply, li...